Hot Metal Casting: Sand Molds

06_Wheatley_Toxic Swimmer_2014

Mission: (Project Description)

In this project the student will learn the process of developing a metal casting using a two-part sand resin bond mold. The first part of the project will be to create a pattern using a variety of methods and materials. Mixing sand and resins the student will create a mold. The mold will be used to create a void to be poured in metal. The metal sculpture will then be finished accordingly. The student will be graded by keeping schedule with the processes of the assignment as well as the finished form. Keep up, so you do not fall behind.

Sketchbook Assignment:

Sketches of your ideas should be rendered before and during sculpting. A minimum of five pages should be dedicated to this sketching component. In addition, find a minimum of four cast sculptures or objects that inspire you. Printed images of these sculptures or objects should be placed in your sketch book. Your sketch book will be graded along with your project.

Project Tasks:

Metal casting: Create a metal casting using an original student created pattern and a multi-part sand-resin bond mold.

  1.  Form: Create a pattern, Open to individual concepts.
  2. Surface: Form should have at least two textures that create balance in the form and surface, yet contrast significantly.
  3. Movement: Form and surface should draw the viewer around the form  
  4. Multi-Part mold: Using the pattern, sand-resin bond will be used to create the components of the sand mold.  Gating: A gating system will be carved into the mold parts to allow metal to be poured into the cavity left by the pattern.
  5. Yoke: Create a yoke system for the mold.
  6. Casting: Pour the sculpture in metal.
  7. De-gating and Metal finishing: Prepare the form for patina.
  8. Patina/Surface Treatment: Patina or dye-oxide
  9. Sealant: Seal the finished form.

Pattern Note:

Create a pattern using a material that will pull out of your mold: clay, wood, paper, styrofoam and many other materials may be used. Your pattern should be well crafted. Create a draft in your pattern so it pulls from the mold more easily.

Pattern dimensions should be approximately 4.5 x 8 x 2  inches. This is the smallest dimension. Due to material availability consult the instructor before executing larger forms. Realize… the larger the form, the larger the mold, equals more work and material cost.

Wood Shop Note:

Before cutting any materials in the wood shop, Make sure all staples and metals are removed from the material. Make an extra effort to affirm that no screws or nails remain in purchased or reclaimed materials.

Group Participation:

• Mold Making: Group Engagements: There will be several Sand Parties to create the “Sand-Resin Bond” molds. This will be a class endeavor, where sand and chemicals will be mixed and rammed at the same time to reduce waste. Absence or lack of participation during these events will have an effect your grade. Excess sand from this process should be promptly rammed into Scratch block molds.

• Metal Casting: Group Engagement:  The form will be cast in metal using the foundry. Casting crews and task will be designated. Attendance and participation offer much to the experience. Absence or lack of participation during these events will have an effect your grade.
Wear appropriate clothing during foundry pours. 

• Cotton clothing, pants and shirt.
• Leathers or Fire resistant suits
• Safety Glasses
• Safety shield
• Hard Hat-welding cap
• Leather covered shoes (Steel toed preferred)
• Leather chaps or leggings
• Leather spats
• No Poly blends, No Pleather: These can be extremely flammable near the pouring activities.

Tools and Materials:

• Sketch Book
• Dust Mask/Particulate Respirator
• Safety Glasses
• Protective clothing: Leathers
• Materials for pattern
• Mold materials
• Sand
• Sand resin chemicals
• Wood
• Wood Shop
• Metal: Aluminum, Bronze, Iron
• Casting Foundry/Furnace
• Rubber or Latex gloves
• Welding Eye Protection
• Welding Gloves
• Angel Grinder
• Grinding disc
• Cut off disc
• Flap Disc

Type of facilities and furnace will designate what casting metals will be used.

Create a label for your project with these specifics:

• Name:
• Dimensions: HWD
• Materials:
• Metal casting weight:
• Year Complete:
• Course:

Tape your label to your project. Use masking tape so that it will not harm your project.

Objectives:

  • Method: Planning, Cutting Safely, Building techniques and strategies
  • Material Characteristics:
  • Three-Dimensional Pattern Making
  • Mold Making Process: Cope and Drag
  • Volume: HWD
  • Mold Gating/Sprue Methods
  • Hot Metal Casting Process
  • Successful Casting
  • Fabrication techniques: Post Casting fabrication, Object Installation
  • Structural and Aesthetic qualities
  • Finishing Techniques: Heat Treated Patina
  • Sensibility to form: Good design, clean aesthetics
  • Integrity of the artist to their craft

Caution:

Chemicals and fumes: This process uses chemicals and materials that might be dangerous for some people. Read the MSDS (Material Safety Data Sheet) for questionable materials. Please use a respirator and rubber or latex gloves while using chemicals and chemically treated sand. A dust mask may be used rather than a respirator. The respirator will provide better protection.

Foundry: This project will incorporate the use of the foundry and “Extremely Hot Metal”. Safety and a disciplined studio etiquette should be followed during metal pours and all studio activities.

 

Research and Inspiration:

Project Gallery

Scratch Block Molds – Casting Forms in High Relief

Sheen Square72In this project the student will learn the process of developing a “Relief” metal casting using a Scratch Block, a sand block bonded with resin, to create a the negative or inverse of a final relief sculpture. Metal will be poured in the scratch block to create the finished form. The metal relief sculpture will be finished, chased using metal working tools. Then a dioxide and wax will be applied to the surface. And finally a strategy must be developed to display the relief form.

  1. Carve a relief form/composition into the scratch block. Your composition is open to your imagination. Develop a composition of your own design or from observation. Stay away from trite or cliche logos. Sketch your composition in your sketchbook in advance so that the image will fit the format.
  2. The forms should be developed off the back panel so that the objects are sculptural, three dimensional. This sculptural quality should utilize undercuts to create shadows as well as subtle transitions from dark to light foreground and background. Basically the forms should protrude off the panel or frame creating contrasting values, strong and subtle highlights and shadow.
  3. The relief form/composition in the scratch block is now considered a “Mold”. Metal will be used to fill the mold to create a “Casting”.
  4. Group Engagement: The form will be cast in metal using the foundry. A pour crew will be developed from the class to execute the metal pour.
  5. Chasing the form: Finish the form in its metal state in preparation for surface treatment. You will be using metal finishing tools: electric and pneumatic grinders, files, sand paper, steel wool, and other polishing tools.
  6. Apply a patina to the form by adding a Dye-oxide to color the form. Steel wool can be used to polish highlights on the form. Wax may be used to seal the form from further oxidation.
  7. Develop a mounting strategy to present the piece on the wall or other form of presentation for critique. Try to develop a system that is un-obtrusive or does not overwhelm your composition. Keep It Simple, Less is more.

Note: This process uses chemicals and materials that might be dangerous for some people. Read the MSDS (Material Safety Data Sheet) for questionable materials. Please use rubber gloves and a dust mask while using chemicals and chemically treated sand.

This project will incorporate the use of the foundry and “Extremely Hot Metal”. Safety and a disciplined studio etiquette should be followed during metal pours. Wear proper clothing if you intend to assist in the pour. No poly or poly blend clothing. 100 % Cotton clothing, leather covered shoes, safety glasses, Leathers and safety shields are required for this process.

Materials needed for this project:

  • Sand resin scratch block
  • Tools for scratching into sand mold, Metal tools work well.
    Steel wool
  • Foundry gear
  • Metal: Aluminum will be used for this project.
  • Two part adhesive (Epoxy)
  • Materials for mounting or presentation strategy.

Cost:

If you wish to keep your sculpture, You are required to pay for the metal. Your aluminum piece will cost $4.00, if you wish to keep it.

Note: It is important to remember that to get a right reading image you should create any text and your image in a mirror image format on/in your mold. Be conscious in developing your relief sculpture, forms that you wish to fall back in the finished image area should project forward in your mold. Areas that you desire to protrude forward should fall back in your mold. It might fair you well to build a simple model (clay) of the desired forms to assist in developing these concepts and to have something to work from.

Student Gallery